I attempted to attract my audience in a
number of ways. I achieved this through my through researching regarding their
attractions earlier in the project. The colour scheme, images used, model used
and poses of my model all have extreme effect on addressing my target audience
and creating a product that readers will look for with innovative and eye
catching content.
My colour scheme of basic black and white
accented with blue is the running theme of my magazine keeping a cool and calm
atmosphere for my relaxed magazine. Through a Google survey I found that the
blue shade was preferred by a male audience with blue connoting confidence and
intelligence. This colour was therefore picked as to attract my primarily male
target audience. This colour is also predominant throughout my magazine in an
effort to keep my magazine connected through colour scheme and as I know this
pleasing colour scheme will attract my target audience.
My use of images is also very coordinated
to remain this calm yet punk effect. Most images have a border on them. as much
quality and remain true to my eyes. This will appeal to my audience as the
picture wont This
rustic border of white or blue can show the confined nature of my magazine, yet
the images are coming out of the border connoting the factor that my magazine
is constantly pushing boundaries and will remain on the front of underground
independent entertainment. The photos were taken on a Canon 40D with a Helios
44m-2 58mm lens. I decided to use this vintage lens (produced in 1960 in the
USSR) as it could work at low aperture whilst remaining a reasonably large
range of focus. I also wanted to get the ‘Boke’ of a slightly distorted
background whilst remaining resistant to large amounts of flare. The use of a
58mm lens was also considered, originally I wanted to use a 30mm lens however I
soon realised that that led to a distorting of the models facial features and
did not remain with the original integrity. 58mm is close to the standard field
of view for human eyes allowing my image to have a natural and photogenic appeal as not to
distort my audience’s interpretation of my magazine. The clothing was also
decided by me, I wanted the clothes to fit the genre of my music magazine. I
did this by making my models wear stereotypical clothes related with the emo
and punk genre like band hoodies, flannel shirts and Doc Martens. I do however
feel my magazine should feature a more feminine aspect as there is very little
appeal to the female demographic in contrast to other magazines. My use of images
directly attracts my target audience for these reasons.
The reason I did not want to shoot in a
studio was in an attempt to achieve a natural setting that would relate to my
audience. The clinical white of the studio was very against the ideals of my
magazine, I wanted to capture the natural side of my models and their band.
This challenges the conventions of the big magazines like MOJO, Q, CLASH and
FADER which rely on using primarily studio lit backgrounds which in my opinion
does not allow me to relate to the images and instead gives the artists a
manufactured look. This is not what I wanted to achieve; I wanted my band to
seem relatable and rustic, not afraid to take risks. The way I achieved this
was by shooting outside. This meant that extreme care had to be taken through
my lack of artificial lighting, I could only shoot what natural light had
offered me meaning I made sure to shoot at 12-1 most days for a week in an
attempt to keep the light overhead with full-bodied images and vivid shadows. I
think this will appeal to my audience as they will be able to appreciate the
care that has gone into the photography throughout. My target audience will
also be able to feel more connection with the natural environments over the
clinical and over produced superficial nature of using a photography studio.
Over the production process I took a
plethora of draft shots over multiple photoshoots equating to over 200 images,
I chose the few used as an attempt to show off the range of distances and
angles available for me to use and as an attempt to keep my magazine looking
fresh and not just the same 3 shots in the studio over and over. This was an
extremely challenging aspect of my magazines creation as it involved posing my
models in natural ways without making it look forced or over produced. Most of
my images have someone looking directly into the camera, this was to make a
connection with the reader and to make the experience feel more personal
compared to if the models were all looking into the distance away from the
focus of the lens. I think this attracted my target audience as it allowed them
to take the magazine seriously and also gave a professional approach and
viewpoint regarding my magazine enticing people to come and read as they would
respect the reviews and relate to the interviews.
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